A DIALOGUE WITH MERET OPPENHEIM, 2022 I was invited by Rocío Bueno to participate in the project ‘Tú, yo, ellas, nosotras’, a group show where 12 contemporary female photographers dialogued with 12 avant-garde female artists –Meret Oppenheim in my case–. Even though...
KIKIKAIKAI (奇々怪々), 2021 Kikikaikai (奇々怪々) is a Japanese term that refers to what is ‘strange, but captivating’, something I aimed to represent through this still life series, where there’s a certain search for beauty that is at the same time decadent and dark. The...
THE CIRCULAR ENCLOSURE, Ongoing In Jorge Luis Borges’ story ‘The circular ruins’, a man arrives at the ruins of a temple in the jungle –the circular enclosure– with the supernatural purpose of creating another man piece by piece in dreams, only to realize in the end...
ONE CAN ONLY GIVE EXAMPLES OF IT, 2019-2020 One can only give examples of it draws on a neologism coined by cubist, Dadaist and conceptual artist Marcel Duchamp (1887-1968): the infrathin; a notion with no conceptual definition that –as he said in an interview in...
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